"CLINK - CULTURAL HERITAGE LINKING DIVERSITIES IN EUROPE".European Project,2020

CLINK PNG

Applicant: Local Democracy Agency Mostar (LDA Mostar)

Partners: LDA Subotica (Subotica / Serbia); Association des Agences de la Democratie Locale (Strasbourg / France); LDA Knjazevac (Knjazevac / Serbia); LDA Prijedor (Prijedor / Bosnia and Herzegovina); LDA Sisak (Sisak /Croatia); LDA Niksic (Niksic / Montenegro); Omma Studio (Heraklion / Greece);  LDA Zavidovici (Zavidovici / Bosnia and Herzegovina); LDA Albania (Vlore/Albania).  

Objective: Project aims to deepen the connection between people from 10 communities from 3 EU (CRO, FR, GR) and 4 non-EU countries (BiH, SRB, MN, AL) and the heritage that surrounds them, as well as to raise their awareness on connections and place their own cultural heritage has in the tapestry of Europe’s rich and diverse cultural heritage. 

Description:

Through planned activities it gathers and engages in discussions, forums, exchange of practices, study visits, art events a diverse group of participants: state and non-state cultural actors, entrepreneurs, craftsmen, designers, architects, youth groups, local authorities and CSOs. 

Activities follow two paths: international events gathering all partners (Caen/Normandy, FR; Knjazevac, SRB; Mostar, BH) and local events in 9 communities. Activities have been designed to reach 750 direct and 100.000 indirect participants, to have strong European dimension and tackle three out of four themes of the European Year of Cultural Heritage: engagement (practices of bringing Europe’s cultural heritage, history and shared values closer to people; direct engaging of young people in a dialogue with state and non-state cultural actors on the policies of promotion and preservation of cultural heritage, exploring cultural heritage and creating artistic reinterpretation of it; engagement of a wider public with those reinterpretations), sustainability (re-imaging public, industrial, religious or military heritage sites; responsible and sustainable tourism developed around cultural heritage) and innovation (education and training for the traditional crafts in order to foster participation and social innovation). 

Expected outcomes are raised interest in cultural heritage with direct and indirect participants, awareness of EU policies on cultural heritage and ways of its promotion, protection and sustainable use for socioeconomic development of societies, as well as enforced sense of belonging to a common European space.2.International event Knjazevac Serbia 300x225

 

 

 

 

 

 

 

“CARESTORIES. WALKS TO NURTURE CARE”,European Projects,2021

care stories

 

"CareStories" is a local and European project between Italy, Poland and Greece that aims to create a network of “cultural walks” addressed to people (especially elderly living in internal area) that have been living long periods of stress, isolation and fear during the Covid-19 pandemic.
Project leader is Social Community Theatre Centre | Teatro Popolare Europeo, partners are Omma Studio (Gr) and Brama Theatre (Pl). The idea was to create a connection between 3 different territories of Europe, to create a shared map of natural and cultural walks told by the local inhabitants. The final output, a shared map with walks infos and local stories, will be the dissemination material to engage other inhabitants experiencing isolation throughout the active participations of those people already involved in the artistic process.
Omma Studio theater chose the activities of the project’s research and accomplishment, to take place in the village of Pompia (municipality of Faistos, in Heraklion, Crete). The help of the Cultural Centre of Pompia was significant, that’s why our theater gives special thanks to Yva Koumantaki, (chairwoman of the Cultural Centre), Zambia Ntelidaki and Eleutheria Polioudaki, to Mr George Foustanakis (president of the Community of Pompia) and to all the participants that shared their stories, recipes and memories with us.

 

 

"​DREAMS TRACES. TRAVELLING, CONTAINER",European Project,2020

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DREAMS ,TRACES, TRAVELLINGS, CONTAINERS is a European Theatre Project supported by the Creative Europe Fund of which the ValmisaTheater is the leader tells the power of dreams, the strength to self-determine which has always pushed women men to leave to be reborn.
In the theatrical imagery, the container is a kaleidoscope that hosts dreams of the women and men of yesterday and today. Containers - typical travel carriers - will be scenic space and by moving they will give life to a 45-day Theater Festival in 5 European countries (Italy, Belgium, Denmark, Greece, Spain) project partners and will end in Brussels.
The project inspired by the United Nations 2030 agenda on economic and environmental sustainability intends to honor and reaffirm a founding principle of the European Union of free movement of men and goods. (Article 45)

LEADER:
Valmisa theatre (ITALY)
PARTNERS:
• Nordisk Teater Laboratorium (DENMARK)
• Omma studio (GREECE)
• Fundacja b’cause (POLAND)
• TNT - Centro de Arte y produccionesTeatrales SLS (SPAIN)

THE MEANING OF THE PROJECT
 The project tells the positive stories of realization in a country other than that of birth, it develops from a collection of ancient and contemporary stories. Narrating the potential for realization beyond the difficulties of the contingent, it is to pay homage to the human capacity to transform difficulties into opportunities for rebirth. Our project aims to make a creative analysis of the circularity of the anthropological history of human flows and trace the routes of dreams that have always moved women and men looking for a happy change. Investigating the energy arising from dreams is also a way to understand how to reactivate our creativity, and hope for a possible future to be realized. Dreams belong to every person; illuminating them generates empathy, reducing fears dictated by prejudice, by the comparison with someone we believe to be different, who has the same dreams and the same aspirations: it reduces the human distance with the one we call only a migrant. We want to put that energy that accompanies the desire for Change at the center of the scene, so strong that it pushes us out of our small comfort zone, strenuously defended, on a large scale, by forms of nationalism. Theater has always put man at the center. There is theater so that man can look at himself from the outside and understand himself! In the current serious pandemic, isolation, distance and fear of the future emerge, it is a great opportunity to develop an international cultural project that enhances perspectives of self-determination. 

PROJECT SRESULTS
Multilingual Dream Archive: the site will continue to be updated even after the end of the project
Performances: n. 5 Performances (1 for each partner and 1 collective) will continue to be represented by the theater companies participating as partners in the project within the same national theater circuits and theater festivals already operating in individual national / international territories
Free dramaturgies: they will remain available to other companies in order to maximize the dissemination of the project
E book: An e book will be created that can be downloaded for free from the site with the stories of the protagonists of the elaborate dramaturgies
Video: A video will be made to tell about the experience and the Festival.
Transmedial storytelling: A narrative form that, moving through different types of media, helps to integrate the user experience.